
As the sun moves, somewhere outside, the dusty sunbeam moves across the room, across the piles of books (there are never enough shelves!).
We can take up a particular book, and we can sit in comfort on the window seat or elsewhere, and open it. This book begins with metaphors.
“The cars are the wheels of the city,” the book says. “The city is the body of the car,” the book says.
Cities do not have wheels, and cars cannot be wheels. Cities do not have bodies, and cars are much smaller than cities.
If we expected something like truth or falsity from words, in books, this might be a problem. This might be something wrong.
The book says nothing; it is silent. Inside the book, on one of the flat sheets of fiber near the beginning (near the top of the pile of stacked and cut fibrous sheets), there are patterns of differential reflectivity, patterns of darkness, that are associated with the words, with the letters, with the symbols: “The cars are the wheels of the city.” The association between the reflectivity and the symbols is complex.
Why are these particular marks, lines of chemical, situated on this particular flat sheet of fibrous substance, out of all of the many sheets of fibrous substance in this pile, in this room, in this library, on this planet?
What does it mean to ask “Why”? Again we have this circularity, this difficulty that words can easily talk about anything but words, that language can agilely juggle any subject but language and truth. But with what can we juggle language and truth, if things cannot juggle themselves?
“The cars are the wheels of the city.” These patterns on the page are related to properties of the mind of whoever put them there. These patterns on the page are related to other properties of the mind of whoever reads them. Because this is no different from “The cat is on the mat,” or “The sum of two odd numbers is an even number,” we have no particular problem with metaphors, we have (so far) no need for a special explanation.
Even a simple truth (or falsehood) is related to everything else around it, every facet of its conception, its writing, its reading, its comprehension, in impossibly complex ways, in ways that would take a lifetime even to begin to understand. A complex metaphor, a figure of speech, an allegory, is related to everything else around it, in ways that would take a lifetime even to begin to understand.
But we have established that it is entirely possible, indeed it is likely inevitable, to act and experience without full understanding.
The sun is warm, even hot, through the dusty windows. Whether or not we know what it means for light to “come through” a window, or what “a window” is. Or “warm”. Or “light”.
The book says, “Sharp metal softly pierces and separates tissue”. We shudder at the thought, or at a thought that appears after, and perhaps because, we read the phrase. We shudder even if we cannot explain what “sharp metal” is; what counts as “metal”, and what counts as “sharp”? Are there subjective or objective categories? Is there a useful distinction between “subjective” and “objective”? What makes an act of piercing “soft”? Without being able to say, we imagine the separating of tissue, perhaps the unmentioned welling of blood, and we shudder.
So it is also entirely possible, indeed it is likely inevitable, to be moved by, to be changed by, words, by language, without full understanding.
I close my eyes and turn my face toward the window, and the sunlight hits my eyelids, warms my face, and fills my vision with warm living redness. It is bright, even if I cannot explain to you what “bright” means. Even if, as seems inevitable, I cannot explain to you what “red” means.
This one page of this one book could occupy a lifetime. There is no hope of fully experiencing, internalizing, understanding, even one shelf of the books of this room, even one pile (there are never enough shelves). We can function without full understanding. But what dangers does that entail? (What are “dangers”? What is it for a thing to “entail” another thing? What is a “thing”?)
From another direction (we turn our face toward the interior of the room; now the sunlight hits the back of our head, and our face is cooler, the redness less intense, more black). When we feel certain things, when we have certain physiological properties, we tend to make certain sounds. There are correlations between certain sounds and certain marks, certain patterns of marks, made with reflectivity changes on fibrous sheets.
(Another book, whose title (what is a title?) is “Empire of Dreams”, and whose author is “Giannina Braschi”, says “When I plunge into thought, I walk at the foot of the wind.” The wind has no foot. One cannot plunge into thought. These are all metaphors. Even “The wind has no foot” is a metaphor. All language, perhaps, is metaphor, because no language is literally true. But what does “literally true” mean? Language cannot agilely juggle itself.)
The light is warm on my arm, on the side of my head, on my leg. What does it mean for light to come through the window? When we see light coming through a window, we tend to say “the light is coming through the window”. What is light? What is “light”? Without light, we cannot see; without sight, can we know? Literally, yes. Metaphorically, no.
Light is the mother of knowledge. (The cars are the wheels of the city.) Light is the positive, light is motion and life and progress, knowledge and understanding. “[T]he windows give their light generously to the air,” says the book. Darkness is stillness, potential, ignorance and innocence. (Or guilt?)
From another direction. I cannot touch you, except as I can touch you with my words. I cannot comfort you, inspire you, understand you, or help you to understand me, except as I can do this with my words, because I exist for you only as words. Words cannot be constrained to literal truth, or they could not do the things that we require them to do.
(Ironically enough, the original meaning of “literal” is “having to do with letters”, so only words can convey, contain, constitute, literal truth.)
It is not necessary to think all of these thoughts. We can easily stretch out in the sun on the window seat, with a book, and read, and nap, without understanding how any of these things work (so much to know about books! About naps!).